It’s full of amazing critiquers who helped me identify the strengths and weaknesses in my stories. When I was first starting out with short stories, I got most of my critiques at the Online Writing Workshop for Science Fiction, Fantasy and Horror. Most of them have been online, and I think that’s one of the best things about the Internet–the way it allows us to connect with so many like-minded people we might never have gotten to know otherwise. I consider myself lucky to have had many fabulous sources of support throughout my writing career so far. Maybe it’s time to give the living another chance…Ĭould you tell us about your writing community–your critique group or partner or other sources of emotional and/or professional support? Tim wants her to help him contact his recently deceased mother, and Cass reluctantly agrees.Īs Cass becomes increasingly entwined in Tim’s life, she’s surprised to realize he’s not so bad–and he needs help more desperately than anyone else suspects. She’s on a mission to expose the dirty secrets of the poseurs in her school.īut when the vice president of the student council discovers her secret, Cass’s whole scheme hangs in the balance. From the promotional copy:Ĭass McKenna much prefers the company of ghosts over “breathers.” Ghosts are uncomplicated and dependable, and they know the dirt on everybody… and Cass loves dirt. Megan Crewe is the first-time author of Give Up the Ghost (Henry Holt, 2009)(see Megan’s blog).
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